"Fifrillim" is part of a larger project in drafts of Brazilian music styles that was catalyzed by my BraveSound performance in February 2021. Utilizing the salient "Ritmica" concept, championed by Jose Eduardo Gramani, it is an homage to such a school of thinking, written as a forró in odd meter.

"Dois Passaros" and "Durme Bem" are part of a larger project of drafts/workshopped music in Brazilian music styles that were catalyzed by my BraveSound performance in February 2021. It explores two adjacent narratives in contrapuntal, samba-canção styles.

This is a slightly-abridged chamber arrangement of my through-composed orchestral work "saudade." It's a draft that I workshopped and put together for my BraveSound chamber performance in February of 2021.

This arrangement of Strayhorn's seminal tune "Blood Count" treats its source material as granular parts of a whole.

This arrangement of "But Beautiful" was originally materialized as an assignment for a class on Studio Orchestration/Jazz Philharmonic Writing I took at Manhattan School of Music. It is a scaled-down [multi-div.] string arrangement with a Bb instrument feature at the forefront.